Tuesday, 27 March 2012

Extract: Psychoanalysis and Performance

Campbell, P. & Kear, A. (2001) Psychoanlaysis and Performance. Routledge: London & New York p. 11


This is quite useful as it shows an example of applying the Freudian 'uncanny' to theatre:


It talks about the space/set/enviroment itself being uncanny. It also further explains the use of sublimation and corporating subtle objects that could signify repressed meanings within the space.....









1 comment:

  1. I know it is impossible to read but as long as you have the reference you can look at it in your own time.

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